New-York Historical Society

Author Archives: staff

Walt Whitman, Brotherhood, and the American Civil War

This post was written by Jonah Estess, Digital Project Intern in the Patricia D. Klingenstein Library. In the N-YHS collections are three letters addressed from Walt Whitman to the parents of Erastus E. Haskell, Samuel and Rosalinda Haskell. He writes to them about their son’s condition at a military hospital in Washington D.C. Walt had […]

“We Are All Americans:” Grant, Lee, and Ely Parker at Appomattox Court House

This post was written by Mariam Touba, Reference Librarian for Printed Collections. Robert E. Lee wore a puzzled look as he examined the officer’s dark features, then recovered enough to extend his hand and remark, “I am glad to see one real American here.” On that April 9 afternoon, 150 years ago, at the McLean House […]

Cass Gilbert & the Brooklyn Waterfront

This post is by Nina Nazionale, Director of Library Operations The architectural profile of the Brooklyn waterfront, especially in Greenpoint and Williamsburg, has changed radically in the last ten years. Amidst the new, high-rise towers, stands a massive, stately low-rise. Originally known as the Austin, Nichols & Co., Inc. warehouse and now a luxury apartment […]

“To wake the sluggards effectually”: The Beginnings of Daylight Saving Time

This post is by Samantha Walsh, Reference Assistant in the Department of Prints, Photographs & Architectural Collections The first mention of Daylight Saving Time was made by Benjamin Franklin, in a 1784 letter to the editor of the Journal de Paris. While many attribute today’s practice of turning the clocks forward and back to Franklin, it […]

“Seven Moments of Love”—from Langston Hughes to Robert Earl Jones

This post was written by Luis Rodriguez, Library Collections Technician. Imagine a moment in Harlem in 1939. It’s inside the Community Center of the International Workers Order on West 125th Street, where the Harlem Suitcase Theater is putting on bare-bones experimental “proletariat” theatrical productions. The audience has left after a performance of Don’t You Want to […]

Special Delivery for Valentine’s Day

This post was written by Tammy Kiter, Manuscript Reference Librarian. Like it or loathe it, Valentine’s Day is upon us. With all the advertisements for expensive jewelry, bountiful bouquets and fine dining, one might overlook the significance of a good old fashioned Valentine. Yep, a card can hold just as much meaning as a giant […]

“The Untold Delights of Duluth”: The Speech That Killed the Railroad Bill

This post was written by cataloger Miranda Schwartz. Satirical takedowns and witty bon mots weren’t invented by Jon Stewart and Stephen Colbert. Our 19th-century forebears knew a thing or two about the influential effect of a little well-aimed satire, as evidenced by an 1871 broadside that the New-York Historical Society Library has in its collections. […]

Woman of Letters: Charlotte Lennox and The Life of Harriot Stuart

Written by Maureen Maryanski, Reference Librarian for Printed Collections. Among the uncatalogued treasures at the New-York Historical Society are two small, leather bound volumes I recently stumbled upon in the library stacks. Out of pure curiosity, I picked these volumes up and looked at the title page. The title read: The Life of Harriot Stuart, […]

“The Peace of Christmas Eve”: Ending the War of 1812

This post was written by Mariam Touba, Reference Librarian for Printed Collections It is the time of  year when people talk most of “Peace on Earth.”  A bit of peace of the worldly sort emerged 200 years ago this week when the United States and Great Britain came to terms ending the two and a […]

Requesting the pleasure of your company: Artists’ receptions and the Tenth Street Studio Building’s legacy

This post is written by Joe Festa, Manuscript Reference Librarian Unlike today’s art market, American artists of the early 19th century had few galleries to represent them. While many art dealers were setting up shop in Manhattan’s wealthier areas, their focus was on representing elite European artists and serving the privileged social classes. As such, […]

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